Video summary

Как и на что мы снимаем?

Main summary

Key takeaways

Technology

Overview

This video is a “how we shoot” Q&A-style walkthrough of the creators’ filming gear history and their current setup, including a brief segment about a Samsung TV used to view 4K content.

Shooting Gear History (Cameras)

Early stage

  • They started with compact point-and-shoot cameras for their early “serious” filming attempts.
  • They then moved into early interchangeable/DSLR use, mentioning:
    • Canon 7D / 60D
    • Canon 5D Mark II (described as famous, but “not suitable for video”)

First major “serious” camera

  • Blackmagic (first version)
    • Mentioned as recording “2 alloys” (likely a subtitle error).
    • Criticized for having many shortcomings.

Progression to their current approach

  • They discuss switching to 4K after audience requests and note needing 4K after referencing “The Spy” (speaker references prior projects).
  • They bought Canon S200, praising:
    • Built-in ND filter
    • 24-bit audio recording
    • Strong ergonomics
    • A good fit for their reports / typical channel video style
  • Another camera mentioned for certain tasks:

    • Canon 1D X Mark II

      • Described as large but low weight (“less than 200”), useful for exhibitions

      • Can be mounted on a DJ Ronin stabilizer/gimbal for smooth pans (they previously used a bulky Stadcam setup and even a vest)

      • Framed as good for compact travel and suggested for recommendation

Lenses Mentioned

  • Canon 10–22 mm wide-angle
    • Used often; called an excellent lens.
  • Sigma 18–35 mm
    • One of their favorites; used in “almost 50% of shots.”
  • “McCree” beyond 100 mm
    • Subtitle unclear; described as rarely used but sometimes necessary.
  • Canon 40 mm
    • Described as small and inexpensive; sometimes needed (e.g., top-down shots).
  • Canon 16–35 f4
    • Bought specifically for the 1D X; described as a wide-angle option for travel.
  • Canon 70–200 on the 1D X
    • Telephoto; described as “second-generation,” expensive but worth it.

4K Video Discussion / Viewing Limitations

  • They switched to 4K based on audience requests.

  • They likely won’t use 60 fps because it “doesn’t look good” for their style (they note 60 fps is great for sports).

  • Audience/compatibility notes:

    • They believe many viewers won’t be able to enable 4K if their devices/settings don’t support it.
    • They mention monitor resolution limits and constraints from Apple/Google platforms.
  • They position 4K as a future-proof “reserve,” so content still looks good years later.
  • They see 4K as especially beneficial for TV viewing and long-term quality.

TV Product Segment: Samsung “Q-series” LED TVs

The speaker provides a hands-on overview of a Samsung Q-series TV (received from Samsung).

Design and connections

  • One nearly invisible cable for power + content
  • Uses the ONE CONNECT module, which can be placed elsewhere in the room
  • Connection options via ONE CONNECT include:
    • HDMI
    • Ethernet
    • USB / flash drives / disks
  • Wall mounting supported, with mentions of different stand types (base + conical + easel)

Display and picture features

  • Quantum Dot technology
  • Resolution: 3840 × 2160 (4K)
  • HDR10+ support
  • Described as very bright with high contrast

Ambient Mode

  • Screen can remain on without burn-in concerns
  • Displays selected visuals/info (weather, time, photos)
  • Controlled via phone using the SmartThings / Smart Wings app

Sound and processing

  • Mentions a 40W / 4.1-type sound system
  • Supports Dolby Digital Plus
  • Option for a Samsung soundbar if needed
  • Proprietary processing pipeline:
    • Mentions TSC (subtitle unclear), described as fast and convenient
    • Mentions a built-in processor named Engine
  • Control/streaming:
    • One remote (mentions “Voice” control)
    • Streaming from phone to TV and back

Additional Support Gear and Audio Accessories

Heavy camera motion gear

  • They have a crane, but haven’t used it in 2–3 years due to transport difficulty.
  • Currently rely on:
    • Manfrotto tripods
    • Manfrotto monopod and heads

Lavalier / clip microphones

  • Previously used Sennheiser lavaliers.
  • Switched to Road (subtitle: “road movies”) due to interference at exhibitions.
    • Security staff with walkie-talkies reportedly caused radio-lavalier pickup issues.
  • New lavaliers described as working over Wi‑Fi, with sound quality described as “quite good.”

Why They Avoid Sony/Panasonic (and Prefer Canon)

  • Sony
    • Like Sony colors
    • Dislike the Viv menu (user interface)
  • Panasonic
    • Complaints about color and ergonomics
    • Camera feels small and harder to “grab/pull together” (subtitle unclear)
    • Menu described as strange/inconvenient
  • Main deciding factor:
    • Canon has the best autofocus (their key reason)

Canon Sponsorship Dispute / Equipment Purchase

  • They say they don’t receive gear from manufacturers, though they note earlier work with Canon for a project:
    • Mentioned Canon C100 Mark II + 70–200 lens
    • They received gear from a “Russia channel” and produced videos; the speaker feels it wasn’t tied to direct Canon sponsorship money
    • Because of a specific person/relationship, they no longer communicate with the Canon rep office
  • They buy equipment at a store and praise it for guarantees and responsive support (repairs/replacements)
  • They also mention receiving advertising/sponsored elements on the channel, while still aiming to provide high-quality video for viewers.

Main Speakers / Sources

Main speakers

  • The channel presenters (primarily one main narrator speaking as “we”)
  • Mentioned person:
    • Evgeny (referenced by first name only, connected to a Canon collaboration)

External brands/products referenced

  • Canon, Blackmagic, Samsung
  • Manfrotto
  • Road, Sennheiser
  • DJ Ronin (stabilizer)
  • Apple / Google (platform/4K enablement constraints)

Original video