Top 10 WORST Movies 2025

Overview

This video is a comedic, rant-style countdown of the Top 10 “worst movies of 2025”. It’s not full review analysis—more like quick “flybys” explaining why each film disappointed.

The host frames the whole thing as cathartic bonding over shared hate, then powers through a list packed with jokes, theme complaints, and escalating frustration.

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Main beats / standout commentary (by ranking)

#10 — Karate Kid Legends

• The concept is presented as something that could’ve been cool: a student/teaching dynamic with boxing + kung fu.
• The host argues it becomes a generic cash-grab Karate Kid knockoff.
• They explicitly refuse to count it as part of the real Karate Kid / Cobra Kai canon.

#9 — Tron Arise

• The host jokes it feels like paying for a “new Nine Inch Nails music video” vibe.
• Only visuals and soundtrack get meaningful praise.
• Major complaints:
  • Nostalgia bait
  • Plot holes
  • A sequel setup that abandons what Tron Legacy established
  • Characters the host doesn’t care about

#8 — The Conjuring: The Last Rights

• The host says the Conjuring franchise should’ve ended long ago.
• Even while acknowledging the series makes tons of money, they call it:
  • A boring family drama
  • Missing the spark of earlier entries
• They also riff about James Wan allegedly moving on to “Aquaman money.”

#7 — Five Nights at Freddy’s (movies)

• The host respects the original game’s real origin story.
• But argues the film adaptations turn into generic horror schlock.
• Their mockery targets how it seems like actors are there due to contracts, not belief in the script.

#6 — The Strangers: Chapter 2

• The host calls the premise misguided—trying to “humanize” the killers.
• They argue that knowing motive/why someone targets you makes them less scary, because fear works better with no explanation.
• They also claim the trilogy feels fast-tracked just to wrap up.

#5 — Jurassic World: Afterbirth

• The complaint is broadly a dinosaur-mutant chaos mess.
• Highlights include:
  • Dumb character decisions
  • Confusing plot
  • Dialogue compared to something “ripped from Disney”
• They mock the return of park “magic” being gone.

#4 — I Know What You Did Last Summer (new entry)

• A slasher-subgenre rant using repeated “dollar store / penny store” comparisons to Scream.
• Biggest complaint: character assassination and contrived plot turns
  • Example: a survivor from earlier installments somehow becoming the killer
• The host claims this kind of pattern is being rushed for production speed.

#3 — Smurfs (Smurfs franchise film)

• The host states there’s “never been a good Smurfs movie.”
• They argue this one tries to cash in on multiverse hype.
• They acknowledge multiverse can work (citing Spider-Verse)—but argue it doesn’t work for Smurfs.

#2 — Snow White

• The host’s anger ramps up significantly.
• They compare it to two competing stylistic goals:
  1. One that subverts expectations
  2. Another that “course-corrects” into something disliked
• Specific gripe: the studio reportedly made a version without dwarves, then added dwarves after fan demands—late, without properly reworking the story.
• Result: uncanny valley, CGI-heavy dwarves, and a “soulless” feel.

#1 — War of the Worlds (FaceTime / found-footage style)

• The top spot goes to “just bad,” not “so bad it’s good.”
• The host notes it was reportedly made during COVID and argues the timing should’ve been an obvious reason to avoid it.
• Main technical/creative complaints:
  • The FaceTime/format choice doesn’t work here
  • Bad acting
  • No tension
  • Awful CGI
• Even the pitch—“found footage War of the Worlds”—sounds promising, making the failure feel extra pointless.

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Overall tone / jokes / reactions

• The host uses rant comedy and recurring mock branding like:
  • “dollar store scream”
  • “penny store scream”
  • “pine store”
• They lean on meta humor about franchise sequencing:
  • Sequels abandoning earlier setups
  • Adding elements after the fact
  • General franchise fatigue
• They occasionally praise small positives (like visuals/soundtrack)—but treat those as exceptions that don’t rescue the films.
• The intro emphasizes the list as a way to bond over shared dislike, and the countdown grows harsher—especially at #2 and #1.

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Personal note at the end

Before asking viewers for their own worst movies, the host mentions support for their motorcycle accident recovery, explaining that:

• Their arm isn’t fully healed
• They may post a separate recovery story video

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Appearances / personalities

• Main host / narrator: a single-person presenter.
• No other on-screen characters or distinct personalities are described beyond occasional references to actors/filmmakers.