Video summary
Don't buy these audio interfaces. Get these instead.
Main summary
Key takeaways
Product reviewed (theme of the video)
This isn’t a single product review—it’s a buyer’s guide-style video that warns against several specific audio interfaces and recommends alternatives. In other words, the “product” is the audio interface category, with the focus on:
- Which interfaces to avoid
- Which to buy instead
Key “Don’t buy these” / Avoid list
1) Behringer UM2
- Very noisy
- Drivers not supported
- Bad build quality
- Verdict: Cross off your list; don’t buy.
Alternative recommended instead: MRA Solo
2) Focusrite Scarlett Solo
- Generally good, but with caveats
- Avoid specific generations/models:
- Avoid 1st gen
- 2nd gen not recommended
- Prefer 3rd or 4th gen
Difference vs Scarlett 2i2
- Preamps are stated as the same
- Main annoyance: the Solo’s knob controls both:
- Headphone volume
- Monitor output / monitor volume
- Described as annoying
Verdict: Solo can be “solid” if you pick the right generation.
3) Focusrite Scarlett 2i2 (including “Solo 2i2” / “Scarlett 2i2” mentioned)
- Dangerously priced compared with other good interfaces
- Recommended alternatives because they’re close in price (examples given):
- Behringer (mentioned as iD4 Mark I—likely iD4 “Mark I”)
- SSL 2
- Motu Volt 276 / Volt 2
- M2 / “M 2m2” (also mentioned)
Verdict: Don’t choose the Scarlett 2i2 at that price—pick better-value alternatives.
4) Audient Evo4
Crossed out / not recommended.
- EMI issues / noise
- Example: nearby Wi‑Fi / Bluetooth / cell phone (e.g., mouse/wifi access point) leads to a lot of noise
- One knob does too much
- Same knob controls mic volume, headphone volume, and switching behavior between DAW vs mic/monitoring
- Said to be confusing
- Slower to operate
- Uses a menu system
- Interfaces with separate knobs are argued to be faster
Verdict: Avoid if you want clean operation without interference or awkward controls.
5) IK / “AudioBox” GO
Crossed out / not recommended.
- Stepping issue with gain
- With a dynamic mic (example: XM8500), volume is:
- too low until about 10
- then jumps / carries too loud
- Described as no smooth in-between
- With a dynamic mic (example: XM8500), volume is:
- Weak headphone amp
- With HD6xx, headphone volume is very, very low
Verdict: Not good for dynamic mics needing smooth gain control and/or headphone listening.
6) Shure MV1 (also mentioned as “Sure MV I”)
-
Bought used due to a deal and portability, but…
-
Deceptively heavy
- “Like a brick”
- Gain adjustment is awkward
- Adjusts gain “like a phone,” described as unnatural
- Practicality complaint → out of favor
Verdict: Not recommended for the intended workflow despite portability appeal.
7) Apollo Twin (final “don’t recommend”)
The strongest “avoid” at the end, with multiple reasons.
PC users
- Says Apollo Twin won’t work well on Windows/PC
- Claims many Windows users have problems (mentions Discord/online reports)
- States makers “don’t care about Windows”, unlike companies like RME (driver support cited as better)
Mac users
- Claims: “honestly, no—you shouldn’t buy it”
- Cost/value critique
- Says Apollo Twin is “worth” around $2,000 or more
- Claim: people then keep buying extra plugins costing about $150–$300 each
- Performance hot take
- If you don’t use plugins, he claims Apollo Twin is about the same as an SSL 2 (tests + personal testing)
- “You’ll end up screwed either way” argument
- If you use plugins: total cost keeps growing
- If you don’t: you’re not getting better audio than cheaper options
- Emphasizes preferring one-and-done purchases, not DLC/subscriptions
Verdict: Avoid Apollo Twin for both PC compatibility/value and plugin-cost economics.
Recommended / “do buy” interfaces (unique list)
He explicitly recommends the following (not all are equally discussed):
- Motu Volt 276
- SSL 2
- Focusrite iD4 Mark II
- Babyface Pro
- Zoom F3
- Zoom F6
- Motu M2
He also specifically suggests:
- MRA Solo instead of Behringer UM2
- For travel: Zoom AM22 (highlighted below)
Travel interface mentioned (partial recommendation)
Zoom AM22
- Loved for travel
- Notes: common reviews say it’s noisy (often blamed on preamps like Zoom H5/H6), but he disputes that severity:
- Says Zoom H5/H6 are fine (cites older videos and his own view)
Strengths
- Gain knob
- Headphone volume
- Monitor input/output
- One input
- Very lightweight/portable
Positioned as “yellow category”:
- He likes it, but acknowledges others might not.
User experience themes (what he values)
- Low noise / reliable drivers
- Good build quality
- Controls with separate knobs (faster than menu-driven and one-knob schemes)
- Avoid EMI susceptibility
- Sufficient headphone gain
- Real value vs price inflation
- Driver/support reliability on Windows (Apollo Twin singled out)
Pros/Cons summary by model type (condensed)
- Behringer UM2: noisy, unsupported drivers, bad build → avoid
- Scarlett Solo: good if you choose the right generation; annoying knob mapping → conditional buy
- Scarlett 2i2: pricing poor vs alternatives → avoid
- Audient Evo4: EMI noise + confusing one-knob controls + slow menu → avoid
- AudioBox GO: gain “stepping” + weak headphone amp → avoid
- Shure MV1: surprisingly heavy + awkward gain adjustment → avoid
- Apollo Twin: Windows problems; on Mac, value crushed by plugin economics; not clearly better than SSL 2 → avoid
- Recommended set: Volt 276, SSL 2, iD4 Mark II, Babyface Pro, Zoom F3/F6, Motu M2
Ratings / numerical scores
- No formal star ratings are provided.
- Numerical mentions are mostly:
- Pricing and value comparisons (Apollo Twin ~$2,000+, plugins ~$150–$300 each)
- A suggestion to spend an extra $30–$40 to get better than Scarlett 2i2
- The AudioBox GO gain behavior example around ~10 (where gain “jumps”)
Overall verdict / recommendation
Do not buy
- Behringer UM2
- Audient Evo4
- AudioBox GO
- Shure MV1
- Apollo Twin
- Also avoid specific Scarlett generations/models, and avoid Scarlett 2i2 due to pricing/value.
Best “safer” targets from his recommended list
- SSL 2
- Babyface Pro
- Motu Volt 276
- Motu M2
- Zoom F3/F6
- Focusrite iD4 Mark II
Travel option emphasized
- Zoom AM22
Speakers
- The subtitles appear to come from one main speaker (no distinct separate speakers indicated).