Top 10 BEST Movies 2025

Recap of the Video (Top 10 BEST Movies 2025)

The creator kicks off with a holiday throwback (“hope you all had a very merry Christmas”) and the usual caveats: movies people think should be on the list might be missing either because they weren’t seen—or because other films hit them harder. They clarify this isn’t full reviews, just fast “why it made the list” reactions.

They then run through their favorite films of 2025, mixing quick plot highlights with what stuck with them most—performances, tone, themes, and memorable cinematic experiences.

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Number 10 — Bring Her Back (Philippo Brothers)

A horror entry centered on the Philippo brothers’ strength: familiar horror ingredients, but consistently a “new take” that avoids cliché even if the pitch sounds predictable while you’re explaining it. The creator calls it a “banger” and immediately looks forward to the next one.

Standout: fresh execution in horror despite sounding generic when summarized.

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Number 9 — Weapons (mystery/thriller)

A classroom disappearance thriller: kids vanish, leaving multiple perspectives trying to figure out how and why. The slow reveal ramps up the creep factor.

The creator notes the ending bothered them at first, but improved on a rewatch—though the final note feels like everyone needs life-therapy.

Standout: the creeping, multi-perspective unraveling—and a redemption arc for their opinion on the ending.

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Number 8 — Warfare

The creator defends seeing it theatrically (while joking about the economy and spending money). Warfare is described as ugly, relentless, and anxiety-inducing—specifically praised for feeling immersive and oppressive.

It’s framed as a film that leaves you thinking, “yeah, that’s why I never want to see war.”

Standout: sustained tension/realism + the “don’t watch war” emotional punch.

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Number 7 — Beonia

A conspiracy-theory thriller with high tension, top-tier acting, and an over-the-top-but-right soundtrack.

It also messes with the viewer: they’ve read reviews calling it nihilistic/negative and admits they felt like it fit their own “I guess I’m messed up too” mindset. They ultimately says it “made sense” by the end—especially in its message: “people suck.”

Standout: conspiracy tension + personal resonance with a bleak tone.

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Number 6 — The Long Walk

Another rewatch improved the ending for them. They hype Stephen King’s imagination and praise the premise: a televised event where people are forced to walk until they stop too long and get shot—“it’s the walking man,” not The Running Man.

The creator credits strong acting, character bonding, and very “Stephen King” villain energy, noting the ending hit differently the second time.

Standout: a premise that could’ve gone boring, but didn’t—and a reinterpreted ending.

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Number 5 — Marty Supreme

They mention they already reviewed it recently, so they keep it brief. They describe the tone/energy as consistent entertainment from start to finish, then use jokes and metaphors comparing the film’s vibe to “Saul Goodman” energy—but with ping pong instead of legal stuff.

They also highlight the soundtrack’s synthwave feel (humorously likened to trying to reach a ping pong tournament while also running from the government).

Standout: soundtrack + nonstop energy; lots of playful joke comparisons.

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Number 4 — Sinners

Described as horror, but also “culture,” vampire lore, and Halloween-binge-friendly.

The creator highlights its music as central and asks a philosophical-sounding question: is music invented or discovered? They praise it as more than a standard vampire movie—it “takes a swing” at being deeper.

Standout: vampire-lore + music-driven themes that go beyond genre.

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Number 3 — F1 (F1 racing action film)

A love-it-or-hate-it premise depending on taste: old-school cinematic action energy mixed with modern camera tricks and a heavy focus on racing spectacle.

They compare it to the spirit of Top Gun: Maverick but with F1 racers, and wonder whether it lands the same for first-time viewers at home versus theaters.

Standout: premium action presentation; theatrical vs at-home doubt.

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Number 2 — John Candy, I Like Me (documentary)

A documentary pick framed as a guaranteed spot for any well-edited, competent film about someone the creator loves.

They emphasize John Candy’s “sweet soul” comedy vibe and say the documentary left them with both laughter and tears. It also triggers a life reflection question: how will people remember you when you’re gone—especially after watching his movies like Uncle Buck and Planes, Trains, and Automobiles.

Standout: emotional impact + legacy reflection.

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Number 1 — Kill Bill: The Whole Bloody Affair (wide release of the combined cut)

Their #1 isn’t subtle: they present it as the clearest “greatest cinematic experience” of 2025.

They clarify that while Kill Bill is often split by volume, the “whole affair” is treated as its own wide release. They describe watching it as a 4.5-hour event and having a rare realization: they don’t often experience entertainment like this anymore.

They praise Tarantino at his peak—calling it the definitive revenge quest with real character, not just nostalgia icing. They argue throwbacks often lack substance, but Kill Bill has both substance and celebration, with the “anyomoricone” tracks hitting differently.

They end by calling it peak Tarantino and their favorite theatrical experience of 2025.

Standout: rare “cinema-as-an-event” feeling + defense of Kill Bill as substance, not empty nostalgia.

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Notable Jokes / Bits

• Repeated “as always” top-10 caveats (missing movies = not seen or replaced by better hits).
• A running joke about needing big screen theatrical experiences—but with a jab at the economy.
• Lots of playful comparisons and slangy metaphors (ping pong/Saul Goodman; government + Daryl; “people suck” line; “walking man” correction).
• A joke-confusion about a famous quote: the creator says they once thought a clown’s line was said by Robin Williams.
• Ending life-reflection energy—then a final note about having a new top-10 video later this year.

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Main Personalities Appearing (as referenced in the video)

• The narrator/creator (the YouTuber making the top 10 list)
• Quentin Tarantino (discussed as the filmmaker)
• John Candy (documentary subject)
• Matthew Lillard (mentioned in connection with Kill Bill)
• Paul Dano (mentioned in connection with Kill Bill)
• Joseph Kazinski (referenced in relation to the F1 film)
• Stephen King (referenced via The Long Walk)
• Philippo Brothers (credited for Bring Her Back)