FBI Occult Expert: Breakaway Civilizations, Antarctica & 1800's Airships | Walter Bosley

Summary of the video’s main claims and arguments

1) Breakaway/“Nimza” origins tied to 19th-century flight experiments

• Walter Bosley (the guest) discusses a supposed “breakaway civilization” framework traced through a lineage he connects to:
  • the Sonora Aeroclub / Sonora Arrow Club in California
  • and a German-acronym group he calls NIMSA/Nimza.
• The narrative is attributed mainly to Charles Dellshow, a German immigrant who allegedly wrote journals beginning in the 1890s. In those accounts, Dellshow claims he was sent to California in the 1850s to investigate German immigrants experimenting with flying machines.
• Bosley argues Dellshow’s journals—particularly the volume and specificity of his drawings/technical sketches—make the Sonora Arrow Club story harder to dismiss as hoaxes or mere outsider art.
• Bosley treats Dellshow’s accounts as the only primary source for the Sonora Arrow Club narrative.

2) Frank Rossco case (1915) as a possible connection point to the airship lore

• Bosley links later airship-related mystery to a 1915 San Bernardino incident:
  • Frank Rossco, a young man, is arrested after deaths in the area.
  • He is briefly released into custody of “unidentified friends” purportedly connected to the Sonora group.
• Bosley presents this as suggestive evidence of an ongoing secret network, rather than a fully isolated 1890s/1850s story.

3) “Nazi bell” (Dylaka/Daglaka) as a technical bridge between eras

• A central theme is Bosley’s claim that Dellshow drew a bell-shaped rotating prototype resembling later “Nazi bell” folklore.
• Bosley argues that historians often dismiss or do not acknowledge the bell as real, and notes points often used to justify skepticism, such as:
  • later oral/intelligence transmission accounts (described as coming from a Polish intelligence source, with an example reporting style like Igor/“Egor” Wankowski)
  • and a perceived lack of WWII documentation.
• Despite that, Bosley asserts Dellshow’s pre-1923 drawings show an earlier conceptual technology.
• He further claims the Nazis allegedly advanced the concept using:
  • counter-rotation
  • electromagnetism
  • and possibly a mercury-like substance
• Bosley ties this to legend about anti-gravity.

4) The 1890s airship reports: newspapers, named witnesses, and skepticism rebuttal

• Bosley argues the 1890s airship phenomenon differs from the Sonora Arrow Club story because it is supported by numerous newspaper reports spanning large geographic areas.
• He criticizes the dismissal that it was an “April Fool’s joke,” pointing out that at least one report date conflicts with an April Fool’s framing.
• Examples Bosley highlights include witnesses:
  • Colonel Samuel Tilman (Tilman/Tilm(an) as mentioned)
  • Amos Dolbear
  • who are presented as stepping off an airship and speaking with the public.
• He also describes crew members referred to only as Wilson, presented as including:
  • Hyram Wilson
  • Willard Wilson
  • who reportedly said they could travel rapidly to South America/Cuba.
• Bosley suggests the scale and distribution of reporting imply either:
  • something real occurred, or
  • there was significant public testing/marketing.

5) Anti-gravity as a through-line into later UFO eras and military tech

• Bosley proposes a “development thread”:

  • 19th-century rotating/anti-gravity concepts → 1890s airships → mid-20th-century secrecy → modern UFO sightings

• He connects this to broader modern narratives, including:

  • analogies to radar spoofing technology (including discussion of a “cube within a sphere” patent)
  • possible perception management/narrative control by national security entities
  • claims that some modern UFO events (including Navy pilot accounts discussed) could fit classified military craft or deception systems rather than “pure extraterrestrial” explanations.

6) Remote viewing: possible government origins and early timelines

• The discussion shifts to remote viewing (RV).
• Bosley claims the government’s RV program appears publicly later (commonly early 1970s), but argues it may have begun earlier.
• He suggests earlier fiction may resemble RV enough to imply earlier experimentation or “seed-planted” concepts, mentioning:
  • Jack Finney’s “Time and Again” (1970)
  • Richard Matheson’s “Somewhere in Time” (1975)

Personal account related to RV

• Bosley says that in the 1980s/early 1990s he trained as an FBI counterintelligence officer and later attended Russian language training at Fort Meade/Fort Me (as he narrates).
• He claims he later received confirmation that some training participants may have been used as RV “targets/antennas” without their full knowledge.

7) Personal biography framed as evidence of exposure to intelligence “weirdness”

Bosley recounts experiences he argues shaped his research into “occult / UFO / lost technology” topics:

• An awakening in 1979 (altered perception/consciousness)
• A vivid dream in January 1981 that he later claims “came true”
• A career path from FBI entry (1988) into counterintelligence and surveillance training
• He frames both professional (intelligence work, language training, OSI/OSI-like references) and personal (dreams/synchronicities) experiences as relevant.

8) “NATO-style deception” narrative: ink-drops, disinformation, and selective public truths

• A recurring method claim is “inking the water”: feeding controlled wild stories to see whether sources leak them or to evaluate trust.
• Bosley says this happened with:
  • an Antarctica machinery story he says he was told in 1996, later becoming more popular in UFO circles as if it were newly discovered.
• He also argues misinformation exists in conspiracy communities and critiques certain spinoff claims (including “Secret Space Program” material associated with figures like Corey Good), suggesting such distractions can divert attention from more grounded financial/tech secrecy investigations.

9) Operation Paperclip reinterpreted as Trojan-horse infiltration

• Bosley offers a reinterpretation:
  • Operation Paperclip is framed not just as extracting scientists, but as a Trojan horse for a long-term influence campaign by specific German interests he labels “Nimza” descendants.
• He references a conceptual framing from Winkler (“The Thousand-Year Conspiracy”), describing Prussian-style patterns of ingratiation/betrayal.
• Bosley claims this helped produce postwar fascist international influence on the US military-industrial complex and politics, linking it to alleged:
  • “aerospace” exotic research
  • and MK Ultra-era secrecy.

10) Connected UFO/anti-gravity themes feed into Apollo/Mars claims

• Bosley claims:
  • the US likely had additional classified technology supporting Apollo (including anti-gravity assist ideas inspired by “bell” tech)
  • Apollo 11 may not have been the first attempt, implying Cold War secrecy and prior tests
  • he believes the Moon was genuinely reached, but that the full technical story was withheld
• He also speculates about ongoing parallel classified manned space programs alongside public NASA.

11) San Bernardino 1915 “Empire of the Wheel” as a dark espionage/ritual network

• Bosley expands on his long-running work with Rick Spence on seven deaths in San Bernardino (1915).
• Key points in Bosley’s interpretation:
  • an unidentified woman found floating in a lake is treated as an intelligence target (with identity labeling removed via scratched labels)
  • she is argued to potentially match “Eta/Ed Place” (tied to Butch Cassidy/Sundance Kid-era historical context and referenced via a missing person list connection)
  • Bosley links the events to WWI counterintelligence/espionage logistics, including German arms routes via train hubs
• He argues patterns described as toric/touric current or ley-line style structures help contextualize timing and locations.
• He further connects later violent crimes (including “Zodiac-like mapping” claims discussed in their book) to the same “line” concept.
• Prediction claim:
  • Bosley and coauthor reportedly feared a new San Bernardino event in 2015 (100th anniversary of 1915).
  • They claim the 2015 attack’s timing and location align with their map logic.

12) “33rd latitude / psychotronic Disneyland” theory

• Bosley’s “Latitude 33 / Disneyland” explanation claims:
  • Disneyland was engineered (via C.V. Wood and SRRI involvement) to exploit toroidal/touric currents
  • the carousel is suggested as a kind of psychotronic energy distributor
  • later redesigns (moving the carousel) allegedly “disengaged” the effect
• Synchronicity element:
  • Bosley says he saw an “Alfred” at Disneyland (1981)
  • later found a book photo by Alfred Watkins
  • he links Stevie/Stevens Wood death-year timing to the synchronicity.

---

Presenters / contributors

• Walter Bosley (guest / presenter)
• Host (unidentified male in the transcript; credited as “Thanks for coming, Walter” / interviewer)
• Katherine Austin Fitz (referenced)
• Greg Bishop (referenced; author of Project Beta)
• Charles Dellshow (historical figure; referenced as Dellshow’s source)
• Pete Navaro (referenced)
• Steven Romano (referenced)
• Joseph F(i)rell / Joseph Ferrell (referenced)
• Igor Wakowski / Egor Wankowski (referenced)
• Colonel Samuel Tilman (referenced)
• Amos Dolbear (referenced)
• Hyram Wilson and Willard Wilson (referenced)
• Ambrose Bierce (referenced)
• Lynn Buchanan (referenced)
• T.D. Barnes (referenced)
• Ryan Graves (referenced)
• Jim Keith (referenced)
• Oliver Heaviside (referenced)
• Nikola Tesla (referenced)
• Amos/others in WWII/Nazi contexts: multiple historical figures referenced (no full contributor list beyond names above)
• Rick Spence (co-author referenced: Empire of the Wheel)